MUSC 2186 String Chamber Music II
- Division: Fine Arts, Comm, and New Media
- Department: Music
- Credit/Time Requirement: Credit: 1; Lecture: 0; Lab: 2
- Repeatable: Yes.
- Prerequisites: By permission of instructor.
- Semesters Offered: Fall, Spring
- Semester Approved: Spring 2021
- Five-Year Review Semester: Summer 2026
- End Semester: Fall 2026
- Optimum Class Size: 12
- Maximum Class Size: 16
Course Description
This course provides training and practical playing experience for chamber music groups. It is designed for capable string and piano players. Students will learn string and piano literature including quartets, trios, sonatas, etc. This course is repeatable for credit.
Justification
Music majors in general, and performance majors in particular, are required to participate in chamber music performance. These groups allow a focus on individual intonation, articulation, style and expressivity that is not possible with larger ensembles. Chamber ensembles also serve to teach students the literature associated with the genre. This second year course allows more mature students to work with more sophisticated repertoire. This course will transfer as a performance credit. This course is most like MUSC 4430, Chamber Music, at the University of Utah.
Student Learning Outcomes
- Students will be able to demonstrate an understanding of a correct tone and articulation by playing with a proper amount of bow, bow weight, and attack.
- Students will be able to demonstrate an understanding of correct dynamics and balances by playing passages with a variety of loud and soft timbres as indicated in the music, and by adjusting to the style of other players as needed.
- Students will be able to demonstrate an understanding of correct rhythms and following the conductor, by playing in unison with other players and by periodically looking at the conductor (or principal player) for cues.
Course Content
Concert repertoire will be chosen, rehearsed, and performed from each of the four major musical time periods: Baroque, Classical, Romantic, and Contemporary. Other topics will include using proper tone, variable dynamics and articulations, accurate intonation and rhythms, overall balance and blend, as well as following the conductor or primary player. Music from a wide range of composers from various nationalities, races, religions, genders, etc. may be chosen. Class discussions will include approaches to understanding and performing this music with respect to all performers and listeners.
Key Performance Indicators: Through performance, students will be able to interpret music using the proper tone, bowings, dynamics, tempi and articulation of various historical pieces. Due to the performance nature of the course students will be graded on class attendance (30%), daily practice on concert literature (40%), and participation in scheduled performances (30%).Satisfactory participation in ensemble rehearsals: 30-40% of final grade. 30 to 40%Satisfactory participation in each ensemble performance: 30- 40% of final grade. 30 to 40%Daily practice record of assigned literature: 30-40% of final grade. 30 to 40%Representative Text and/or Supplies: Music assigned by instructor.Pedagogy Statement: Instructional Mediums: Lab